Beth Hart - You Still Got Me (2024)

Beth Hart - You Still Got Me (2024)

rip by Boris1 Performer: Beth Hart Album: You Still Got Me Label: Provogue Records Catalog #: PRD77222 Style: Blues, Blues Rock Year: 2024 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 11 Size RAR: ~ 461MB Upload: xfile.cloud Recovery: 3% Password: sim-sim You Still Got Me - одиннадцатый сольный студийный альбом американской певицы Beth Hart. Это первый студийный релиз с оригинальным материалом за пять лет после War in My Mind (2019). Альбом еще
Beth Hart - You Still Got Me (2024)

Beth Hart - You Still Got Me (2024)

rip by Boris1 Performer: Beth Hart Album: You Still Got Me Label: Provogue Records Catalog #: PRD77222 Style: Blues, Blues Rock Year: 2024 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 11 Size RAR: ~ 461MB Upload: xfile.cloud Recovery: 3% Password: sim-sim You Still Got Me - одиннадцатый сольный студийный альбом американской певицы Beth Hart. Это первый студийный релиз с оригинальным материалом за пять лет после War in My Mind (2019). Альбом еще
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My Dying Bride - A Mortal Binding (2024)

My Dying Bride - A Mortal Binding (2024)

Artist: My Dying Bride Country: United Kingdom Album: A Mortal Binding (US The ADS Group press. '24) Genre: Doom Death Publisher: Nuclear Blast America Inc. (NBR 7132-3) Quality: FLAC (image. cue. log. full scans) Size: 462.05 Mb Sharing: X-files
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Mysteria Mortis - From Fall To Rise (2024)

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Artist: Mysteria Mortis Country: Russia Album: From Fall To Rise (CD) Genre: Melodic Death, Metalcore Publisher: Sound Age Productions (SAPCD 561) Quality: FLAC (image. cue. log. cd scans) Size: 301.91 Mb Sharing: X-files
Mysteria Mortis - From Fall To Rise (2024)

Mysteria Mortis - From Fall To Rise (2024)

Artist: Mysteria Mortis Country: Russia Album: From Fall To Rise (CD) Genre: Melodic Death, Metalcore Publisher: Sound Age Productions (SAPCD 561) Quality: FLAC (image. cue. log. cd scans) Size: 301.91 Mb Sharing: X-files
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full-date Автор: vitaljazz, 18 августа 2010, Комментариев: 0, Просмотров: 1 599

LAVITZ,WECKL, GAMBALE, GOODMAN, PATITUCCI & MORSE - SCHOOL OF THE ARTS - 2007

LAVITZ,WECKL, GAMBALE, GOODMAN, PATITUCCI & MORSE - SCHOOL OF THE ARTS - 2007

YEAR: 2007
STYLE: Jazz/ Fusion
FORMAT: WV (Image + Log + Cue + Scans + 5% Recovery)
SIZE: 406 Mb
COUNTRY: USA
THE BAND: T Lavitz - Piano, Bass; Dave Weckl - Drums, Percussion; Frank Gambale - Acoustic Guitar; Jerry Goodman - Violin; John Patitucci - Bass; Steve Morse - Acoustic Guitar

School Of The Arts (Magnatude Records) is the latest album from keyboardist T Lavitz (Dixie Dregs, Jazz Is Dead, Widespread Panic). A great collection of acoustic jazz compositions, School Of The Arts is presented not as a Lavitz solo album exactly, but rather a project or band album, spearheaded by Lavitz. The roster of players on this release is quite impressive - Dave Weckl (Chick Corea) handles all drums and percussion, John Patitucci (Chick Corea, Herbie Hancock, Wayne Shorter) is on bass, Jerry Goodman (Mahavishnu Orchestra, Dixie Dregs) plays violin, and on acoustic guitar - Frank Gambale (Chick Corea, Vital Information, Nu Alliance), and Steve Morse (Dixie Dregs, Deep Purple). Lavitz plays piano exclusively on the album, and wrote the bulk of the songs.

Though Patitucci does play some electric bass on School Of The Arts, this is, for all intents and purposes, an acoustic album. This approach gives the whole recording a bright, clean sound. And the compositions themselves, even dense pieces such as "On Fire," seem to have more breathing room as a result of the acoustic instrumentation. While this would best be described as a jazz record, it includes a wide array of influences including Latin music, bluegrass, and classical. When I think of the phrase "acoustic jazz," I generally think of other terms like "stuffy" or "cheesy," but that's far from the case with School Of The Arts. The writing on this album is very rich, both harmonically and rhythmically. There's some pretty complex stuff here as well; lots of fast passages and odd meters. In general, it's the kind of music you would normally associate with an electric ensemble. To play acoustic guitar on songs like these, you absolutely need to be a great picker. Lavitz knew this, and enlisted two of the best.

The lion's share of the guitar work on School Of The Arts is handled by Frank Gambale. Great pickers, such as Gambale, usually sound strong on acoustic, but that's not necessarily a given. In Gambale's case, his legendary sweep picking (aka economy picking) technique allows his acoustic runs to cut through loud and clear. He uses his speed wisely as well, never shoehorning fast licks into places they don't belong. On the track "High Falutin' Blues," for example, Gambale leans heavily on blues and jazz phrases, and uses well placed fast runs as a tool to ratchet up the excitement. "Fairweather Green" is another great Gambale track. His solo on the Latin-flavored juggernaut "A Little Mouse Music," however, is probably his best on the album. A study in dynamic improvising, Gambale starts the solo so softly you can barely hear him, then builds the intensity with heavier attacks and dizzying sweeps. Gambale also wrote two tracks for the album; the playful and jazzy "Teaser," and one the albums high points - the mellow waltz "Gambashwari," which features a jaw-dropping guitar solo over some cool changes. Having Gambale on board is a huge asset to this album.

The other guitarist on School Of The Arts is Lavitz's old friend Steve Morse. In addition to making guest appearances on each other's solo albums, they of course played together for many years in the Dixie Dregs. Musically, they complement each other very well, and any Morse/Lavitz collaboration is cause for celebration. Sadly though, Morse appears on just two tracks, only one of which has a guitar solo. Granted, Morse is technically making a guest appearance on this album, as Gambale is the main guitarist on the project. Still, we don't get to hear Morse on this type of acoustic-jazz material very often; it would have been nice to hear more from him on this record. His lone solo is a great one though, and is a total contrast to the rest of the guitar work on the album (no surprise since Morse and Gambale are very different players).

Whereas Gambale seems to tailor his electric approach a bit for the acoustic on School Of The Arts, Morse makes no such distinction. His solo on "Portrait" sounds identical to what he might play on an electric. Wringing the life out the guitar with heavy bends and loud double stops, it sounds like the neck is going to snap off the way Morse attacks it so aggressively. "Portrait" is also one of the best, and most interesting compositions on the album. A harmonic and rhythmic tour de force, if it was recorded with electric instruments (distorted guitars, etc), it might take on a prog-rock quality, especially in the exotic Phrygian Dominant sections. Morse and Lavitz sync up for lots of fast, doubled lines on both "Portrait" and Morse's other School Of The Arts track, "On Fire".

Obviously, this album isn't designed to be a guitar showcase - there's great playing from everyone involved. Jerry Goodman contributes some great violin work to a few tracks, and really steals the show on "Like This." Dave Weckl lays down some particularly impressive drum tracks, especially on "A Little Mouse Music," and bassist John Patitucci is rock-solid throughout (great acoustic solo on "High Falutin' Blues"). Through it all though, Lavitz's great writing and piano playing is the dominant force on School Of The Arts. While some songs do have the distinctive Lavitz writing style, he branches into other areas here (such as Latin music) that he hasn't explored much in his previous recordings. "Fairweather Green" is the only track that made me think, "this was obviously written by T Lavitz." On a song like "Dinosaur Dance," for example, you can hear Lavitz's style in the melodies, but you can also tell he's trying something different as a writer.

Lavitz turns in some great playing on this album as well, especially on "Portrait," "A Little Mouse Music," and the solo piano piece "Maybe Next Time." All in all, School Of The Arts is a fine album, and a great accomplishment for Lavtiz. The musicianship from the players he's assembled is impressive, and the acoustic approach gives the album a refreshing, distinctive feel.
http://www.modernguitars.com


Track Listing:
1. Fairweather Green - 5:29
2. No Time Flat - 4:49
3. On Fire - 4:54
4. Portrait - 6:19
5. Like This - 4:55
6. High Falutin' Blues - 5:10
7. Gambashwari - 5:03
8. Dinosaur Dance - 6:09
9. Teaser - 5:09
10. A Little Mouse Music - 7:41
11. Maybe Next Time - 3:58

The Band:
T Lavitz - Piano, Bass
Dave Weckl - Drums, Percussion
Frank Gambale - Acoustic Guitar
Jerry Goodman - Violin
John Patitucci - Bass
Steve Morse - Acoustic Guitar (3,4)


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